At the end of last year I was working with Stream Media on several projects, but perhaps one of the most enjoyable was the promo/contest video I was hired to make (along with the Stream team) for the Medicine Hat College.
What was particularly memorable about this project (which was completed in mid-January) was that I was actively involved from start to finish. Often I work strictly in post-production these days, but this time around I was asked to be part of the pre-production creative process and was able to see a lot of my ideas carried out.
In looking back at this assignment it's clear to see what a great group experience I had with Stream and how by borrowing on each of our strengths we managed to come up with something that we were all quite proud of.
I've been no stranger to working with the College over the last several years that I've been at Stream, and have had my hand in everything from MHC's athletics promotion to their recruitment videos - both as an editor and videographer. Of the edits that I've helped produce, the College pieces are by far some of the most varied and fun assignments that I've done for any single client.
As part of the Medicine Hat College's 'Face of MHC' campaign, in which students have a chance at winning free tuition among other rewards, the focus has been to find a student to document their experiences while showcasing all the different things going on at the College. It's exactly the kind of contest/opportunity that I would've been all over - had I been going to school there that is.
To be a part of the brainstorming process to come up with a promo idea is always fun because you get to see the evolution of rough ideas and concepts. Even when it's difficult, it's amazing to see how a video takes shape just by throwing ideas around. You throw something in the pot, take something out, add a dash there, and purge a lot of leftovers - it's a good way to bond. Of the few times that I've done this, especially now that it's with people I know quite well, it can be energizing to see how others can take your ideas and turn them into something you may not have thought of (and vice versa).
Originally, the idea for this project was to create a single edit. During our initial creative meeting I actually pushed the idea to create a short series of spots to establish more of a vignette of the college and the students who go there - both Stream and the College were keen on the idea and as added motivation for myself, I got to see my vision of the project being fulfilled with the creative contributions of everyone else involved.
I was not part of the shooting, but with Stream working closely with the College, some great candid footage of actual MHC students was captured. The real challenge was that each of these spots had to be exactly 30 seconds, which is a tight timeline to really establish anyone. Ultimately, it provided me another great opportunity to further test my editing style.
The work that the Stream team put into shooting these spots translated into the job I was able to do editing. It can be incredibly challenging trying to get real people to show some personality on camera, but in all 3 videos I think things went better than expected. In short, the project came together fairly seamlessly and in the end both MHC and us were really pleased.
These promos are simple and to the point, and for their intended purpose I think they feel both genuine and playful. I'm really pleased with what we were all able to come up with. The actual contest page for the Face of MHC can be seen on the Medicine Hat College's website here.
In the meantime, check out the 3 promos I cut last month.
I'm sure you've wondered how you'll be remembered thousands of years from now or maybe you've even gone out of your way to try and leave your mark - but in all seriousness we'll probably be remembered exactly like the Beatles in this hilarious clip from scottgairdner.com.
When lead singer David St. Hubbins deadpanned, "There's such a fine line between stupid and clever" I knew I was hooked. With the pitfalls and brief moments of success experienced by the band, there perhaps isn't a better quote to sum up the brilliance that is the rockumentary This is Spinal Tap.
The fictional metal group Spinal Tap was first brought to the big screen by fictional director Marty DeBergi (Rob Reiner) in 1984's This is Spinal Tap. I first saw it back in 2002, and at the time didn't have much of an idea what a mockumentary (fake documentary) really was. Shows like The Office and Reno911 now have the format down to a science, and even Christopher Guest, who plays one of the members of Spinal Tap, went on to star in and direct popular fake-docs like 2000's Best in Show and 2006's For Your Consideration.
It's without question that part of my love for This is Spinal Tap comes from its historical context - how it was one of the first mainstream attempts at the mock-genre, how it fused comedy with profound themes about identity and misogyny in rock/metal culture, and how along with mocking and playing into the stereotypes of rockstars, actually managed to create a successful/memorable group (outside of the movie Spinal Tap actually toured briefly).
I remember back in 2003 I wrote an essay about the film for a documentary studies class, commenting on Tap's handling of themes like sexuality, masculinity, and pop culture in general. My paper may have just been an excuse to watch the movie over and over again to call it research, but there is a message. Spinal Tap's charm and some of the most insightful moments come from the groups social commentary about their own position (raising questions like are rockstars really supposed to be role models?). These messages are delivered in an often blunt and precarious manner leading to laugh after laugh (as the group shows, a life of excess often makes it difficult to stay grounded enough for anyone to take you seriously). Complications for the group revolve around their failing US tour, a racy new album cover, a Yoko-esque girlfriend, problems in management, and a series of mishaps on stage. It's an homage to rock history and the struggles that have plagued hundreds of groups. As a fan of almost all music, I found it easy to get sucked into this realistic world inhabited by characters desperate to fulfill their unrealistic expectations.
The boys of Tap are generally quite content in their bubble, but the realities of the world outside the tour bus seem to overwhelm them as every problem is merely a symptom of a much larger and ongoing conflict. They just want to live 'the dream', but little hiccups (which continue to snowball into bigger ones) keep interrupting. The documentary format allows for some great improvisation and banter, and although it's staged it comes across as relatively honest and revealing. You may not respect the group, but you do come to feel for them.
In yet another set back, the manager declares, "They're not going to release the album, because they've decided the cover is sexist" to which bandmate Nigel replies, "What's wrong with being sexy?".
The layers of the film are fun to explore. The history of the group is well established from their flower-child start in the sixties to their later transition into metal in the late seventies and early eighties. With brief interviews about their various albums and transitions, their lust for the stereotypical rock'n roll lifestyle ultimately comes into question and addresses how important the music really is.
Throughout this back story a recurring joke continues to pop-up about the band's past drummers, who only ever last a few years because of completely random and haphazard deaths. In an interview with DeBergi, Nigel recalls the passing of one drummer and quips, "You can't dust for vomit".
And who can forget the ever popular, "but this goes to eleven, it's one louder" from the hilarious interview scene between Nigel and DeBergi. Delievered with the confidence (or rather ignorance) of a rockstar, the scene in which DeBergi gets a demo of some of the bands equipment only reaffirms that nothing is ever easy to explain when it comes to sex, drugs, and rock'n roll.
If you have a love of music, or really, just a love of comedy it seems hard to go wrong with Tap. For all that the film did in paving the way for the mock-doc genre, for it's comment on rock culture, for it's own strong contributions to music (the soundtrack is also full of original and brilliant material), and for the wit and ignorant charm delivered by the boys of the group, This is Spinal Tap is undoubtedly in my rock, and movie hall of fame.
If you happen to pick up the DVD be sure to listen to the commentary track where the boys explain (in character) how DeBergi edited the film to make them look bad. It's like a brand new movie to hear them comment on the experience of being filmed.